|
|
: 982
 |
., . 2018 (Garage dance. 02)
" " , , 1960- . 1960-1970-. , , , Grand Union. , , , , . 1960- : , , . , " : , , , , , , "
: 
|
 |
. ., -: 1955-1991. - 2018
60 , . , . , - , , . , , , , . " " , ,
:
|
 |
., . 2018
, - , 1900-1960- . , 1905 " ", , , XX .
:
|
 |
., . 2018 (GARAGE) ( . )
"". (hauntology, haunt - ontology - ), , , , , . , , , .
:
|
 |
. ., . . . . 1 2017
. - , , , , , . , , , , , , , , " ".
:
|
![Hagar Schmidhalter. Collection Cahiers d`Artistes 2017 [ 142] 2017](/searchcat/covers/RGUB-BIBL-0000914711.jpg) |
Hagar Schmidhalter. Collection Cahiers d`Artistes 2017 [ 142] 2017
Hagar Schmidhalter (born 1968 in Raron, CH) lives and works in Basel. She studied visual arts at the Hochschule fur Gestaltung und Kunst, Basel and at the Ecole Cantonale des Arts Valais, Sierre. Numerous key galleries and museums such as PM8 have featured Hagar Schmidhalter's work in the past.
:
|
![Yves Scherer. Collection Cahiers d`Artistes 2017 [ 141] 2017](/searchcat/covers/RGUB-BIBL-0000914710.jpg) |
Yves Scherer. Collection Cahiers d`Artistes 2017 [ 141] 2017
Yves Scherer (1987) is a Swiss-born New York-based artist whose practice deals with questions regarding gender, celebrity, and mediated realities. Scherer works with various media - from sculpture, photography, and painting to installations and collages containing everything from paparazzi images to tatami mats, combining personal narratives with fan fiction to explore the relationship between the private and the public. Interested in surfaces and screens, Scherer often uses tatami mats or fake grass cut outs as part of his work - a reference to the artist's own living habits, and typical of this form of contemporary Arte Povera. Scherer holds an MFA from the Royal College of Art, London. His work has been exhibited at international institutions and galleries like ICA London (UK) and the Swiss Institute (NYC). He was the recipient of the Swiss Art Award in 2015 and was listed on Forbes 30 under 30 art and design (2016).
:
|
![Florence Jung. Collection Cahiers d`Artistes 2017 [ 140] 2017](/searchcat/covers/RGUB-BIBL-0000914708.jpg) |
Florence Jung. Collection Cahiers d`Artistes 2017 [ 140] 2017
Florence Jung is a Postwar & Contemporary artist who was born in 1984. Numerous key galleries and museums such as MGKSiegen have featured Florence Jung's work in the past.Florence Jung is an anonymous artist who lives and works in Paris and Biel. Florence Jung has no documentation of her works, and her website features only news articles. She is interested in forms of social scripts and contracts.Florence Jung writes scenarios that infiltrate reality. Her scripted situations are built around a system of clues, absence, and rumor. Drawing from the social sciences as well as economics, literature and philosophy, her work explores our contemporary anxieties, our relationship to uncertainty, and the narrative potential of suspicion.
:
|
![Karin Hueber. Collection Cahiers d`Artistes 2017 [ 139] 2017](/searchcat/covers/RGUB-BIBL-0000914704.jpg) |
Karin Hueber. Collection Cahiers d`Artistes 2017 [ 139] 2017
Karin Hueber lives and works in Zurich. She holds a BA degree from the Academy of Art and Design in Basel and a MA degree from the Zurich University of Arts. Karin Hueber works with sculpture, its conditions and implications.The material and processing she employs for her often site responsive installations feature a contrast between industrial and hand made aesthetics frequently appearing within one work at the same time. This contradiction corresponds to the play with intimacy and distance; another central theme in Karin Huebers work. Both evoke a feeling of uncertainty within the viewer: we feel simultaneously attracted and rejected, we recognize something but don't identify what it really is like knowing someones name but not getting it out. Karin Hueber questions our relationship to architecture, fashion or interior design to any created environments,but also to the human body and its gestures or to sculpture and its context as such. She often uses literature as an inspiration and also crosses the border of art and other disciplines in her collaborations with fashion and product designers. She enters a dialogue about common truths concerning our perception of art and the world.
:
|
![Charlotte Herzig. Collection Cahiers d`Artistes 2017 [ 138] 2017](/searchcat/covers/RGUB-BIBL-0000914694.jpg) |
Charlotte Herzig. Collection Cahiers d`Artistes 2017 [ 138] 2017
Charlotte Herzig was born in 1983 in Vevey, Switzerland. She holds a Bachelors in Visual Arts (2007) from ycole Cantonale dArt de Lausanne (ECAL) and a Masters in Painting from the San Francisco Art Institute. She lives and works in Brussels, Belgium. For the artist, painting is a limitless explosion, an immensity to be explored, a dreamlike elsewhere: her paintings seem to have the texture of our memories and dreams. They offer us an imaginary space behind the structured and logical domain of our daily images. Their interstice is close to the one we create when we let ourselves go to look at the clouds, to play with the sharpness of our perception by observing wallpaper, by believing that we can read in the banal and insignificant visible signs of another still enchanted place.
:
|
![Mathis Gasser. Collection Cahiers d`Artistes 2017 [ 137] 2017](/searchcat/covers/RGUB-BIBL-0000914681.jpg) |
Mathis Gasser. Collection Cahiers d`Artistes 2017 [ 137] 2017
Mathis Gasser is an ultra-contemporary artist. Mathis Gasser is a swiss male artist born in Zurich (CH) in 1984. Mathis Gassers first verified exhibition was A NEW SPIRIT IN LASAGNAS at Circuit in Lausanne in 2009, and the most recent exhibition was Mathis Gasser: Heroes and Ghosts at Schiefe Zahne in Berlin in 2022. Mathis Gasser is most frequently exhibited in Switzerland, but also had exhibitions in United Kingdom, France and elsewhere. Gasser has at least 14 solo shows and 51 group shows over the last 13 years (for more information, see biography). Gasser has also been in no less than one art fair and in one biennial. A notable show was Mathis Gasser: Le muse et la plante at Centre culturel Suisse in Paris in 2017. Other notable shows were at Schirn Kunsthalle in Frankfurt/Main and Mamco - muse ddart moderne et contemporain in Geneva. Mathis Gasser has been exhibited with Marta Riniker-Radich and Vittorio Brodmann
:
|
![Gilles Furtwangler. Collection Cahiers d`Artistes 2017 [ 136] 2017](/searchcat/covers/RGUB-BIBL-0000914677.jpg) |
Gilles Furtwangler. Collection Cahiers d`Artistes 2017 [ 136] 2017
Gilles Furtwangler was born in Lausanne, Switzerland, in 1982. He lives and works between Johannesburg and Lausanne. After graduating from the Art School of Lausanne (ECAL), Switzerland, in 2006, Gilles Furtwangler has since been developing his artwork based on text, using spoken words as the trigger of his visual production, Furtwangler works with different techniques as drawing, painting and printing to create plastic support for his texts. Trough collecting found texts Furtwangler works on retelling and rewriting what he hears and reads, using contexts, colors and substances to question ways of thinking and representing in our era.
:
|
![Gina Folly. Collection Cahiers d`Artistes 2017 [ 135] 2017](/searchcat/covers/RGUB-BIBL-0000914674.jpg) |
Gina Folly. Collection Cahiers d`Artistes 2017 [ 135] 2017
Gina Folly (1983, CH) lives and works in Paris and Basel. She has been directing the artist-run space Taylor Macklin since 2013. Her work studies the effects that political, cultural and social changes have on individuals habits, personal conceptions and everyday realities. Her current research concerns the concept of manipulation, of seduction, in the sphere of daily life. As a result, everyday objects and situations play a crucial role in her works as motifs and materials, in search of a confrontation between humans and their private and public spheres. These relations and exchanges are accentuated by the way Folly uses industrial production processes, altering them and mixing them with home-made artisanal techniques. Her work has been presented at the Kunsthaus Baselland, Basel; Hard Hat, Geneva; Studioli, Rome; Almanac, London; Ermes-Ermes, Rome; and S.A.L.T.S., Birsfelden. She has participated in group exhibitions at Bel Ami, Los Angeles; Latvian Centre for Contemporary Art, Riga; Swiss Institute, New York; Museion, Bolzano; Galerie Nagel Draxler, Cologne; Kunsthalle Basel, Basel; Freedman Fitzpatrick, Paris; Sommer Contemporary Art, Tel Aviv; Klnischer Kunstverein, Cologne; Casa Tomada / House Taken Over, Mexico City; Istituto Svizzero, Rome; Galerie Bernhard, Zurich; Freymond-Guth Fine Arts, Basel; 13. Triennale Kleinplastik 2016, Fellbach; Le Doc, Paris.
:
|
 |
Pawe Althamer. Aachen Projects 1992/2010/2014 2017
Time and again Pawel Althamer questions the limits of the art industry with his self-reflective or socially engaged work and initiates collective activities, which stimulate alternative practise and set creative and communicative processes
:
|
 |
Ambroz V., Akce Actions. monographs 2017
Vpravn kniha v bec poprv p edstavuje prci brnnskho performera a konceptulnho umlce Vladimra Ambroze. V sedmdestch letech minulho stolet chtl dt svmu .ivotu nalhavj smysl a souasn reflektovat pok ivenou dobu. Proto po cel den sledoval nesnesiteln program tehdej televize, sm sebe na ulici zaparkoval jako automobil, nebo vyrazil do msta se zrcadlem v rukch a nastavoval je vemu, co mu p ilo zvltn. Dosud prakticky neznm innost Vladimra Ambroze na poli performance, intervenc do ve ejnho prostoru a projev blzkch inscenovan fotografii trvala jen nkolik let. V druh polovin sedmdestch let pat il k okruhu brnnsk umleck scny p sobc vn tehdejch oficilnch instituc. Ambrozovy prce z tohoto obdob reflektuj obecn civilizan tmata a souasn reaguj na temnou atmosfru vrcholc normalizace. - - . . , , , , . -, , , . 1970- , . . . , . , .
:
|
 |
Notes from the Underground Art and Alternative Music in Eastern Europe 1968 - 1994: 22.09.201615.01.2017 2017
Notes from the Underground explores the close and often dynamic relationship between visual artists and musicians in Eastern Europe under communist rule. The vibrant cultures that formed at the crossroads of art and music subscribed to the idea that they presented an alternative to mainstream tastes and social conventions.
:
|
 |
., : 2017 (Minima. 28)
(1926-2006) - , , , , . ? ? . - , , , , , , , , , . (. )
: 
|
 |
., . 4- 23-24 2017 2017
:
|
![. [ ] 2017](/searchcat/covers/RGUB-BIBL-0000901106.jpg) |
. [ ] 2017
, . , , . , . , . , I . , , , .
:
|
 |
0331, '3016' 2017
RuArts -,
:
|
|
|
|
|
![Hagar Schmidhalter. Collection Cahiers d`Artistes 2017 [ 142] 2017](/searchcat/covers/RGUB-BIBL-0000914711-large.jpg)
![Yves Scherer. Collection Cahiers d`Artistes 2017 [ 141] 2017](/searchcat/covers/RGUB-BIBL-0000914710-large.jpg)
![Florence Jung. Collection Cahiers d`Artistes 2017 [ 140] 2017](/searchcat/covers/RGUB-BIBL-0000914708-large.jpg)
![Karin Hueber. Collection Cahiers d`Artistes 2017 [ 139] 2017](/searchcat/covers/RGUB-BIBL-0000914704-large.jpg)
![Charlotte Herzig. Collection Cahiers d`Artistes 2017 [ 138] 2017](/searchcat/covers/RGUB-BIBL-0000914694-large.jpg)
![Mathis Gasser. Collection Cahiers d`Artistes 2017 [ 137] 2017](/searchcat/covers/RGUB-BIBL-0000914681-large.jpg)
![Gilles Furtwangler. Collection Cahiers d`Artistes 2017 [ 136] 2017](/searchcat/covers/RGUB-BIBL-0000914677-large.jpg)
![Gina Folly. Collection Cahiers d`Artistes 2017 [ 135] 2017](/searchcat/covers/RGUB-BIBL-0000914674-large.jpg)
![. [ ] 2017](/searchcat/covers/RGUB-BIBL-0000901106-large.jpg)
